Poppy Tea towel Designs

Hi everyone! I’ve been desperate to try out some new product ideas, but money is always a problem – investing some of my income into new products is always a risk, particularly when minimum spend is 100+ pieces! So I have been experimenting with some bold designs I can put on tea towels and perhaps other homewares, restricting myself to a monochromatic colour scheme as many places that print fabrics will charge you per colour. This poppy design is my first, and I’m pretty pleased with it! At the moment I’ve settled on three colourways: Mustard Yellow, Aqua and Flame Orange. Let me know what you think or if you have any other colour suggestions! 🙂

(Pssst, you can find these tea towel designs on the print-on-demand site, Spoonflower, here – available to buy soon! I had to change the aqua to a bright blue due to their print requirements but it’s still pretty!) xxx


Paintly Patterns

Whew I’m glad February is over – although it went quickly this month felt like a slog. Getting sick with a horrible flu, super gloomy weather, work feeling like a grind…but I am determined that March is going to be full of bright and better things! Having spring flowers popping up all over the place is definitely helping my mood as well 🙂

So what have I been doing? Well I learnt to knit! So far I’ve completed one slightly wonky scarf and I’m halfway through creating some slightly wonkier fingerless gloves! Let the craft revolution commence!!

More importantly though, I’ve been thinking about how I can incorporate some more illustrative style into my pattern work. I really like drawing by hand, and although that’s how all of my patterns start, I feel like a lot of that unique, hand drawn style is lost once I put it into Illustrator. Not that there’s anything wrong with the patterns I’ve created, I still like them, but it would be nice to have a more painterly feel to my creations. So I challenged myself to create a complete pattern purely from hand-inked and/or watercoloured drawings alone.

I started with this pen drawing of bunches of hydrangeas using my navy Muji pen…


I didn’t really have a clear direction of what I was going to do, I was kind of just trying things and seeing what happened. I decided to wash over the drawing with water and see if the pen would bleed a bit, adding some tone. TOTALLY WORKED!


The lines stayed really clearly defined, but the water allowed just enough pigment to flow over the drawing and I was able to create some really nice highlights and shadows. WIN! Totally going and buying some more Muji pens next time I get the chance!

I then scanned my hydrangea doodles into Photoshop and started to play. Usually patterns are way easier to create in Illustrator as each motif is simpler to manipulate and move around inside a pattern block. However, I wanted to use my original line work and use some transperancy in order to build up my pattern, so Photoshop was my best option. For added texture and colour I also scanned in a watercolour wash of hydreagea-inspired colour which I could layer underneath some of the line-drawings.

And so…Voila!


The finished pattern! I’m pretty pleased – it’s possibly not my most refined piece ever, but for a first experiment in Photoshop-created, hand-drawn-only, pattern creation, it’s not at all bad 😀

I’d love to hear your thoughts!

Christmas Paper cuts

Life has been pretty full leading up to Christmas. I took part in the Brighton Etsy Made Local Christmas Market, which was a fantastic experience! As a last minute ploy to decorate my stand I started making little paper cut decorations. I hadn’t really done any papercutting since I made an anniversary present for my aunt and uncle, mainly because it takes soooooo loooooooooong. But I’ve been thinking for a while that it would be a create Christmas project.


They turned out so beautiful, I HAD TO CONTINUE!! They were actually one of the most commented things on my stand. Suddenly all my various Secret Santas were getting paper cut decorations for their gifts.


I see lots of paper cutting in my future. And possibly a die-cut machine, so that my hand doesn’t hurt so much.



How buying some ink taught me to invest in myself.

IMG_4809For ages I’ve been doodling Victorian-style script in the margins of sketchbooks, trying to teach myself how to write in copperplate. But I only really thought about actually trying to learn calligraphy properly when I arrived in London and found myself with nothing to do and nowhere to be. I’d applied for a few jobs and unpacked my suitcase (kinda), and so with no demands on my time I was filling my hours with aimless wanderings about the city. I found myself entering any shop that caught my eye – book stores, clothes stores, those shops that sell beautifully designed but utterly useless knick knacks – and there on the shelf of an art shop I found a cheap pen, some nibs and a bottle of ink. Art shops are very dangerous places for me, I get inordinately excited by those magical lands of pretty coloured pastes and sticks, and I tend to buy way more stuff than I actually need or would ever have time to use. But now time wasn’t an issue. For the first time in years I had no job or uni work or any kind of commitment to eat away at my time – I would never have a better opportunity to learn something new. I walked out of that art shop with a basic calligraphy set, and I was determined not to let it go to waste.

Naturally I totally sucked to begin with! I think there was more ink on my hands than on the paper, but the internet is a wonderful thing and soon enough I was sorting out my down strokes from my up strokes, my italic nibs from my copperplate nibs, and I even started attempting some very shaky flourishes. (Btw, if anyone knows the secret to drawing amazingly smooth curls they should share this secret with me because seriously, mine look like they were drawn by a highly-caffeinated monkey.)


I still feel as though my style is very similar to a lot of other hand-letters I’ve researched, with a bit of my own handwriting in there too. It really is a skill that just gets better and better with practice – my room is now littered with half-dry, inky quotes and various experiments with different papers and inks. I still draw script in the corners of my sketchbook – actually they’ve started to fill whole pages – but now they look like they might actually turn into a work of art in its own right rather than just another ill-conceived scribble.

But actually my foray into calligraphy symbolises a more important achievement. It’s so easy for life to get in the way of what we actually want to be doing with our time. Trust me, I am very, very guilty of letting this happen. Even if I was working over 50 hours per week I still found myself slotting in coffee dates with friends, often taking on extra hours at work because my supervisors knew I hardly ever said no, and on my days off I spent most of my time buying food, doing laundry and cleaning the house, leaving me with absolutely zero time to actually pursue any of my creative goals. No wonder I burnt out. Sure, work and the food shopping and that acquaintance’s birthday party are all important things, but really, if there’s something that really interests you, something that you really want to do or get involved in, make it your mission to find a way to do it. No, don’t just do it – find a way to make it a part of your life. If your brain is anything like mine, it is very often not your friend. In fact it finds reasons for you to prioritise everything else over something that interests you, particularly if that something is creative. A sample list of excuses I know I’ve often used:

  • “Oh no, I don’t have the stuff, I can’t possibly try that”
  • “My paint is in a box, which is in a cupboard, which is all the way over there….I think I’ll eat some nutella instead’
  • “I’m just so tired from work, I think I’ll just watch Parks and Rec for three hours”
  • “I only have an hour before I have to go out, that’s not nearly enough time to do anything.”

Sound familiar? Ignore your brain. When it comes to personal decisions, our brains are pretty dumb, and tends to create obstacles where none even exist. Once you actually commit to making something happen, you’ll find those mountainous obstacles that your silly brain put in your path are actually more like molehills, and not so scary after all. In fact they are the opposite of scary, they are rewarding: the rewards are never ending.